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Starfleet Academy - It's Happening

Season 1 - Episode 4 - Vox in Excelso

I thought this was OK, and I appreciated that the show is already showing restraint instead of being some TikTok-paced nonsense (I was worried after the pilot) that gets exhausting within the first 20 minutes of every episode. This one told its story without panicking that the kids (who are almost certainly not watching this show as much as they wish they were) might get distracted on their phones.

A nice character piece that does its job of endearing us to Jay-Den while also fleshing out the post-Burn Klingon situation. I thought it did fine on both fronts.

The debate format was a good way to bring the other characters into the episode, and yeah, I thought it worked reasonably well overall.

I still find what I call the preachy-speechy style this show leans into a bit too much for my taste. It happens a lot. Once or twice it can have real gravity, but when every character is monologuing these deep existential soliloquies it gets pretty grating. I also still don’t like how much modern vernacular the show uses, but it’s obviously not going away, so I’m trying to get used to it.

I still can’t stand the Federation ship designs in this era, but the Klingon warp-in effects were neat. The resolution was fine, but maybe a bit too neat and tidy. Everyone exchanging knowing smiles after averting an extinction-level event by pretending to have a battle stretches credibility, but it is what it is.

Better than last week’s episode, though. If they can keep leaning into character pieces alongside the whizz-bang stuff and the YA-leaning dialogue, I'm still in for now.

The Doctor was used well in the debate scenes, but did no one notice the huge fuck-up at the start of the episode? When he doing the Aaron Satie speech he missed out a few words and what he ended up saying made no sense as a result. How did nobody spot that in the edit?

I've noticed things in every single episode that should not have passed the edit. It's weird considering how much money is being spent on other aspects of this show.
 
I'm not a wrestling fan, but why cast a well known wrestler in the show and then almost never show her?
I really don't watch WWE anymore, so I'm not sure if she's on the active roster. If she is, then her shooting schedule with Paramount is probably pretty tight; WWE "superstars" generally work about 300 days a year.
 
I've noticed things in every single episode that should not have passed the edit. It's weird considering how much money is being spent on other aspects of this show.
Maybe a ROGUE TIME TRAVELLER has been in the background in every episode and has erased certain moments in time and it will ALL MAKE SENSE in the finale.
 

“There are a lot of folks alive in the world right now, and there always have been, who have three parents,” Landau said. “We put our heads together when we were [writing] the episode, and we said, There are going to be people in our audience who’ve never seen their kind of family before on screen, so why don’t we do that? Klingons are fun. They seem like the sort of people who wouldn’t hold back from having a three-parent household.”


Remember how fun Worf was on Risa? lol
 
Remember how fun he was in that mud bath with his kid and Troi's mother?
 
But then he gets back in their good graces by doing things like ousting bad Chancellors and discovering their lost Messiah (although he turned out to be a clone or something but they said, eh, close enough, give him an office).
 
I really don't watch WWE anymore, so I'm not sure if she's on the active roster. If she is, then her shooting schedule with Paramount is probably pretty tight; WWE "superstars" generally work about 300 days a year.
Not as much given only NXT does house shows these days. But it's not a huge groundbreaking role either. The AEW wrestlers are getting way bigger roles, which is why they "disappear" for times.

Samoa Joe - Twisted Mettal
Adam Copeland - Percy Jackson
MJF - Happy Gilmore 2, Violent Night 2
 
More people tuned in to hear 94 year old William Shatner talk about bowel regularity than tuned in for SFA.

I bet this pisses George Takei off; someone should point this out to him on X.

 
I still find what I call the preachy-speechy style this show leans into a bit too much for my taste. It happens a lot. Once or twice it can have real gravity, but when every character is monologuing these deep existential soliloquies it gets pretty grating. I also still don’t like how much modern vernacular the show uses, but it’s obviously not going away, so I’m trying to get used to it

This kind of thing is partly what drove me away from Doctor Who ages ago. It's this kind of, I dunno, wistful tweeness? to the dialogue that's just grating after awhile. DW could sort of get away with it sometimes given it's almost fairy tale qualities but it just does not work for Star Trek.

It would be another thing if the uh, profundity were in any way profound but from what I've seen they don't exactly push any boundaries with the storytelling.

I mean, I remember when DS9 had a two parter about the need for the lower classes to rise up and crush the present day economic and political system and another episode about fucking unions where Worf gets beaten up off-screen by an actual no shit Irishman for being a scab during a labor strike only for them both to get arrested. Or that Voyager episode where the Doctor decides the moral thing to do is force at gunpoint the CEO of an alien for profit health care system to start treating people en mass, or-

For all the complaints online about nuTrek being "woke" every incarnation of it seems asleep at the wheel when it comes to making a relevant point.
 
In the old days, they didn't call Trek "woke" like it had a fungus. They talked about Roddenberry's "Utopian" vision for the human race.

No monetization, just humans working to better themselves and their civilization. Space was for exploration more than galactic warfare. The most shocking thing Gene had to do to bring the future home was to have Kirk and Uhura kiss. Once.

After Gene died, his Utopian vision started getting a little dry for the newer showrunners, and suddenly the Federation found itself in a series of wars and conflicts. The Prime Directive was something that captains kept finding new ways to circumvent to get things done in the now.

And now, IRL we live in this upside down world where the new world order seems to resemble Cardassia or Romulus more than an evolved idea of Earth. They literally obliterated Gene's idea of the future with The Burn, and now Starfleet is crawling around, picking through the ashes. Bad guys lurk around every corner because we're vulnerable. Hearing the characters talk about the good old days is scoffed at as speechifying and wokeness.

Basically, it stopped being Trek in the last decade. At least the original intent of Trek. Now with each new show or movie, it's just hit-or-miss sci-fi.

Which is why I don't mind the wokeness of things like the speeches during the negotiations with the Betazoids to rejoin the Federation, even if the Fed's arguments weren't exactly landing. No one from 30-40 years ago really understood how a world without money worked either, but we were at least okay with someone dreaming of such a thing for us. Now the audience is a tougher crowd. Sigh.
 
Ehhh... the cashless society angle was sorta there. Picard talked about it, Kirk talked about it in ST IV, and it seems they ran on some sort of allotment or allowance system when it came to consuming energy.

I think the military angle existed in TOS... keep in mind Gene and many of the production staff were vets from WWII or Korea, as was some of the cast. He tried to phase it out with TMP and again when TNG started, but once they relegated him to creative consultant status the second time, the new producers started easing back in the military angle. Remember, he didn't like TWOK because he felt it was too militaristic.
 
Once Goddenberry started drinking his own tainted Kool-Aid in the 70s shit was done. Dude was not right in the head, coulda been the coke or the booze or some combination of everything there. Plus, he raped Yeoman Rand, so there's that.

Ever read the novelization for TMP? That one is interesting. TNG only survived, probably, because he and his lawyer were kicked off the lot.
 
Once Goddenberry started drinking his own tainted Kool-Aid in the 70s shit was done. Dude was not right in the head, coulda been the coke or the booze or some combination of everything there. Plus, he raped Yeoman Rand, so there's that.

Ever read the novelization for TMP? That one is interesting. TNG only survived, probably, because he and his lawyer were kicked off the lot.

There's a great documentary about this, if you haven't seen it already, titled "Chaos on the Bridge."

Also, have you ever seen the interview with him where he suddenly starts talking about little girls' panties? He might have been joking around, but it was still alarming.

 
I think the rot really set in post 9/11, as cliche as it is to say these days. Once the last of the old production team were off the job and the reboot movies started up, there was nobody left involved that really "got it" and it's just been a slow drip of rich nepo-kids' shitty fanfic ever since.

The TMP novelization is wild because you can see so much of the idea for TNG percolating there, weird tangents about Kirk being aware that he was considered part of "Old Humanity" that was still shitty enough to get into fistfights with gods and demons and being so making him suited for Starfleet; literally anything about Illia and the Deltans lmao. I think there's even a whole ass paragraph about how Kirk and Spock are just really really good friends and definitely NOT gay, etc. Roddenberry was all over the place with his ideas, and with all the drugs and the shitty lawyer it's amazing he lasted as long as he did. I had no idea he was the guy who raped poor Gracy Lee Whitney, jesus christ what an asshole.

Still, I think the idea of a utopian future where most humans have learned to stop exploiting each other because a better world is in fact, fucking possible transcends one guy. I don't know that the audience is a tougher crowd these days so much as the class of people whom the entertainment industry consists of and panders to isn't interested in exploring these ideas in good faith. I still remember some fuckass on SNL's incredulous response to the crowd cheering a mention of Luigi Mangione; like, how do you *not* get it unless you're out of touch with 99% of the human species?
 
Wow! This one shows Tawnie Newsome should be writing every episode, it's a Sam centric episode, but don't let that put you off, because it's also a loving tribute to DS9.

And the end is really quite emotional.
 
1.5 - This took some big swings for sure. I'll start with the positives: all the DS9 stuff was really lovingly and respectfully done. All the references felt accuarte and done by someone who obviously loved DS9. Cirroc Lofton did his best acting ever. Actually getting Avery Brooks' permission to use an old recording (I assume that's what it was) of his voice was quite the coup. And the Dax reveal did get me a bit emotional as Tawny Newsome did a great job working Dax mannerisms into her performance.

Bit on the fence with all the visual flourishes when Sam is narrating. Is this supposed to be how she sees the world? Does she put a "teenage girl filter" on over her perceptions? It disappears for most of the episode so I don't know. Felt like they could have gone into what her life is really like a bit more. I did like how her Maker was like the Big Giant Head interrupting her.

Did not like all the teen stuff this week, especially the trip to the bar, just felt so generic. Sticking Romulan makeup on a girl then just having her act like a stereotype human teenage bully doesn't make her a Romulan. Caleb has fallen far from the opener, where he felt like the main character. He's just an annoying guy now. The make-out scene with Tarmina was weak and I was going to type "it could have been something from Riverdale" but I actually watched Riverdale and know they wouldn't have done a scene that vanilla.

I liked the idea of the subplot but the War Academy guy was played a bit too cartoony. The Doctor pointlessly shouting into those things at people right next to him made me feel like @Dr Dave for a minute.

But yeah as a DS9 fan I have nothing to be angry about.
 
Episode 5 out of 12 didn't even start off in the top ten on Paramount+.

I'm beginning to suspect the only people really watching it are you folks here and the donks at TrekBBS.

The King of Queens? Really? A show that's been off for 30 years now?

paramount+.webp
 
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